| Composition: Acousmatic, Electrocoustic with instruments, Live electronics. | ||
| Sub Terra (installations) |
2008, three loops: Sand Island, Kongsberg Silver Mines, Under the Sea Floor (Coring and Strata) Acousmatic composition. Stereo. Commissioned by NyMusikk Rogaland. | |
| Sub Terra (concert work) |
2008, duration 16'11 Acousmatic composition. Stereo. Commissioned by NyMusikk Rogaland. | |
| Gentle Sediment (Barely_part-3) |
2008, duration 10'00 Acousmatic composition. Stereo and multichannel. | |
| Rite-4/18 |
2007, duration 4'00 Acousmatic composition. Stereo. Commissioned by North-South project with funds from the Fond for Lyd og Bilde. | |
| Barely:part_1 |
2007, duration contiuous Installation. Multi-channel / mixed media. | |
| Microclimates III-VI (concert version) |
2007, duration 22'00 Acousmatic composition. Stereo and ambisonics versions. Commissioned by Grieg-07. | |
| Crack Process |
2006, duration 14'00 Percussion, trumpet, electric guitar, computer. Commissioned by Ars Nova / Integra Project. | |
| Mobilis in Mobili |
2004-2006, duration 8'00 In the following formats: stereo, 5.1, 12-ch, 16-ch. From Trade Winds. |
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| Trade Winds. |
2004-2006, duration 52'00 In the following formats: 12-ch, 16-ch and stereo. Commissioned by NoTAM. |
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| Hommage a Parmerud. | 2005, duration 15'24 In the following formats: 5.1 and stereo. Commissioned by GRM. |
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| Abemolpas (Avoid being eaten by mimicking other less paleatable species). | 2004, duration 13'00 In the following formats: 5.1 as mixed, 2nd-order ambisonics for all other decodings. Commissioned by the Sonic Arts Research Centre and the Sonorities festival 2004. |
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| Where shadows pass for bodies stand. | 2004, duration 14'00 For classical guitar and computer. Commissioned by Stephan Ostesjo. |
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| Exploratio Invisibilis. | 2003, duration 28'00 In two formats: stereo or 2nd-order ambisonics. Commissioned by the Ultima Festival 2003 |
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| Symbiosis. | 2002, duration 17'00 Cello and computer. Commissioned by Tanja Orning with funds from Norsk Komponistfond. |
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| Prince Prospero's Party. | 2002, duration 16'05 Acousmatic composition. Commmissioned by Third Practice Festival of Electro-Acoustic Music/Modlin Center for the Arts at the University of Richmond. |
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| Angels & Devils. | 2002, duration 12'30 Acousmatic composition. |
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| ...the fetters of a dream... (fetters) | 2002, duration 14'30 Acousmatic composition. Commissioned by NRK. |
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| Agora. | 2000-2002, duration 1 hour Electroacoustic theatre. Commissioned by BEK. |
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| Push-me-Pull-me. | ¸2001, duration 7'00 Cello, violin, computer. Interactive work designed for schools. Commissioned by Kyberia with funds from the Norwegian 'Rikskonsertene'. |
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| Industrial Revelations. | 2001, duration 12'50 Acousmatic composition. |
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| Displaced : Replaced. | Installation, continuous. Commissioned by Ilios Festival. | |
| Rain Forest Cycle | Installation, continuous | |
| RAS | 2000, duration 10'00. For percussion quartet, electroacoustic sound and live sound processing.Commissioned by PULS with funds from the Norsk Komponistfond. | |
| Utility of Space. | 2000, duration 14'00. For 6-channel ambisonics and stereo diffusion (8-channel a-dat). A stereo version is also available. Commissioned by NICEM. | |
| Liquid Crystal. | 2000, duration 12'20 For Clarinet, and computer performer |
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| Three Fictions. | 2000, duration 12'30 Acousmatic composition in three movements: In the Rain; Midnight sun : Midday moon; Outside, Snow falls. Commissioned by the Institut International de Musique Electroacoustique de Bourges / IMEB |
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| Circadian Cycles | 1999, duration 20'00. For sinfonietta, live computer and acousmatic sound. Commissioned by the Oslo Sinfonietta | |
| Viva la Selva! | 1999, duration 17'30. Acousmatic composition from the rain forests of Central America. Commissioned by NICEM (Norwegain section of the ICEM) | |
| Diabolus | 1999, duration 11'20. For percussion, voice, electroacoustic sound and live sound transformation. | |
| Outspan | 1999, duration 5'20. Acousmatic composition with sound examples for educational purposes. Commissioned by the Norwegian 'Rikskonsertene' | |
| Mimetic Dynamics | 1999, continuously running sound installation. Commissioned by Art Net Norway. | |
| Microclimate II: Red Snow | 1998, duration 15'40. Acousmatic composition. | |
| Microclimate I: Snow & Instability | 1998, duration 17'00. For double bass, alto flute, mixed percussion and acousmatic sound. International Computer Music Association music commission 1998 | |
| Buoyant Charm | 1997, total duration 25'30. Revised 2001. | |
| Little Animals | 1997, duration 12'40. Acousmatic composition. | |
| Surf | 1997, duration 9'50. For two classical guitars and acousmatic sound. | |
| St Paul's Descending into the Autumn mist | Acousmatic composition - a 'sonic postcard'. 1997, duration 2'35 | |
| Racing Unseen | 1996, total duration 20'20. Acousmatic composition. | |
| Racing Through, Racing Unseen | 1996, duration 3'00. Acousmatic composition. | |
| Earth Haze | 1995, duration 13'54. Acousmatic composition. | |
| Swaying to See | 1995, duration 14'99. Acousmatic composition. | |
| Imago | 1995, duration 14'30. For bass clarinet, bflat clarinet and acousmatic sound. | |
| Puzzle Wood | 1994, duration 13'20. Acousmatic composition. | |
| Trapez | Dance work (Jane Hveding). 2003, duration 5 minutes | |
| Ballet Laboratoriet | Norway National Ballet / Jane Hveding 2003, duration 6 minutes | |
| Gourmet | Arts Council of Great Britain / Claire Russ Ensemble dance commission. 1998, duration 1 hour 15 minutes. | |
| Sweet Sensations | Northern Arts Board / Claire Russ Ensemble dance commission. 1997, duration 40 minutes. | |
| First Whispers | Mosaics festival, London / Indra Thiagarajah dance commission. 1997, duration 30 minutes | |
| Bindu | Chisinhale project, London / Indra Thiagarajah dance commission 1997, duration 20 minutes |