INSTRUMENTS & LIVE ELECTRONICS
EMAIL FOR SCORES & PREVIEWS.
Some materials also available from mic.no
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The Transformer#1 |
2021-2022, duration 24'00
Audio-visual performance instrument using computer vision, audio analysis and AI. The Transformer#1 is trained on and performs with singer Silje Aker Johnsen. Commissioned by with funding from the Norwegian Fund for Lyd og Bilde |
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Where Shockwaves Become Sound |
2020-2021, duration 26'00
Church organ and multichannel electroacoustic sound. Commissioned by Nils Henrik Asheim with support from Stavanger Concert Hall. |
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Altered States 1: Coastal Waters, Altered States 2: A Forest of Their Own |
2020-2021, duration 7'00 + 8'44
For vocal ensemble and multichannel electroacoustic sound. Commissioned by Nordic Voices with support from the Norwegian Cultural Council. |
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Islands of Lost Passports |
2017, duration 13'00
For ensemble, multichannel electroacoustic sound and live electronics (cello, clarinet, el. guitar, percussion, computer performer). Commissioned by Asamisimasa with support from the Norwegian Cultural Council. |
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Sagittarius A* |
2017, duration 32'00
Violin, multi-channel electroacoustic sound (ambisonics) and live electronics. Commissioned by violinist Karin Hellqvist with support from the Norwegian Composers' Fund. |
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Traversing a Small Town at Night |
2015 / 2018, duration 16'00
Flutes, spatialised electroacoustic sound, live electronics. Supported by the Norwegian Cultural Council. |
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Allure and Hoodwink |
2014, duration 18'00
Piano, violin computer (live electronics and spatial audio). Commissioned by Amaral and Hellqvist with funds from the Norwegian Composers' Fund.
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A Collector's Chest |
2013, duration 25'00
Alto sax, soprano sax, bass, classical guitar, percussion, accordion, computer / live electronics. Commissioned by POING-FEED with funds from the Norwegian Cultural Council.
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Deconstructing Dowland |
2008-2009, duration 10'00
Guitar and live electronics (computer). Commissioned by guitarist Stefan Ostersjo with support from the Norwegian "Fond for Lyd og Bilde."
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Zone 1 |
2006-2008, duration 16'00
Piano, clarinet, percussion and live electronics (computer). Commissioned by Cikada with support from the Norwegian Composers' Fund.
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Rhizaria (Barely_part 4) |
2007-2008, duration 13'00
Cello and live electronics (computer). Composed during a work grant from the Norwegian Cultural Council.
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Crack Process |
2006, duration 14'00
Percussion, trumpet, electric guitar,
live electronics (computer). Commissioned by Ars Nova / Integra Project.
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| Where shadows pass for bodies stand. |
2004, duration 14'00
For classical guitar and live electronics (computer). Commissioned by Stephan Ostesjo. |
| Symbiosis. |
2002, duration 17'00
Cello and live electronics (computer). Commissioned by Tanja Orning with funds from Norsk Komponistfond. |
| Agora. |
2000-2002, duration 1 hour
Experimental multi-media theatre, with soprano, multi-channel sound spatialisation, computer controlled electromechanics and architectural installation. |
| Push-me-Pull-me. |
¸2001, duration 7'00
Cello, violin, computer. Interactive work designed for schools. Commissioned by
Kyberia with funds from the Norwegian 'Rikskonsertene'. |
| RAS |
2000, duration 10'00. For percussion quartet, electroacoustic sound and live electronics (computer). Commissioned by PULS with funds from the Norsk Komponistfond. |
| Liquid Crystal. |
2000, duration 12'20
For Clarinet, and live electronics (computer). |
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Circadian Cycles |
1999, duration 20'00.
For sinfonietta and live electronics (computer).
Commissioned by the Oslo Sinfonietta
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Diabolus |
1999, duration 11'20.
For percussion, voice, electroacoustic sound and live electronics (computer).
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Microclimate I: Snow & Instability |
1998, duration 17'00.
For double bass, alto flute, mixed percussion and acousmatic sound.
International Computer Music Association music commission 1998
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Buoyant Charm |
1997, total duration 25'30. Revised 2001.
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Surf |
1997, duration 9'50.
For two classical guitars and acousmatic sound.
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Imago |
1995, duration 14'30.
For bass clarinet, bflat clarinet and acousmatic sound.
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