Instruments and live electronics
INSTRUMENTS & LIVE ELECTRONICS
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Islands of Lost Passports 2017, duration 13'00
For ensemble, multichannel electroacoustic sound and live electronics (cello, clarinet, el. guitar, percussion, computer performer). Commissioned by Asamisimasa with support from the Norwegian Cultural Council.
Sagittarius A* 2017, duration 32'00
Violin, multi-channel electroacoustic sound (ambisonics) and live electronics. Commissioned by violinist Karin Hellqvist with support from the Norwegian Composers' Fund.
Traversing a Small Town at Night 2015 / 2018, duration 16'00
Flutes, spatialised electroacoustic sound, live electronics. Supported by the Norwegian Cultural Council.
Allure and Hoodwink 2014, duration 18'00
Piano, violin computer (live electronics and spatial audio). Commissioned by Amaral and Hellqvist with funds from the Norwegian Composers' Fund.
A Collector's Chest 2013, duration 25'00
Alto sax, soprano sax, bass, classical guitar, percussion, accordion, computer / live electronics. Commissioned by POING-FEED with funds from the Norwegian Cultural Council.
Deconstructing Dowland 2008-2009, duration 10'00
Guitar and live electronics (computer). Commissioned by guitarist Stefan Ostersjo with support from the Norwegian "Fond for Lyd og Bilde."
Zone 1 2006-2008, duration 16'00
Piano, clarinet, percussion and live electronics (computer). Commissioned by Cikada with support from the Norwegian Composers' Fund.
Rhizaria (Barely_part 4) 2007-2008, duration 13'00
Cello and live electronics (computer). Composed during a work grant from the Norwegian Cultural Council.
Crack Process 2006, duration 14'00
Percussion, trumpet, electric guitar, live electronics (computer). Commissioned by Ars Nova / Integra Project.
Where shadows pass for bodies stand. 2004, duration 14'00
For classical guitar and live electronics (computer). Commissioned by Stephan Ostesjo.
Symbiosis. 2002, duration 17'00
Cello and live electronics (computer). Commissioned by Tanja Orning with funds from Norsk Komponistfond.
Agora. 2000-2002, duration 1 hour
Experimental multi-media theatre, with soprano, multi-channel sound spatialisation, computer controlled electromechanics and architectural installation.
Push-me-Pull-me. 2001, duration 7'00
Cello, violin, computer. Interactive work designed for schools. Commissioned by Kyberia with funds from the Norwegian 'Rikskonsertene'.
RAS 2000, duration 10'00. For percussion quartet, electroacoustic sound and live electronics (computer). Commissioned by PULS with funds from the Norsk Komponistfond.
Liquid Crystal. 2000, duration 12'20
For Clarinet, and live electronics (computer).
Circadian Cycles 1999, duration 20'00. For sinfonietta and live electronics (computer). Commissioned by the Oslo Sinfonietta
Diabolus 1999, duration 11'20. For percussion, voice, electroacoustic sound and live electronics (computer).
Microclimate I: Snow & Instability 1998, duration 17'00. For double bass, alto flute, mixed percussion and acousmatic sound. International Computer Music Association music commission 1998
Buoyant Charm 1997, total duration 25'30. Revised 2001.
Surf 1997, duration 9'50. For two classical guitars and acousmatic sound.
Imago 1995, duration 14'30. For bass clarinet, bflat clarinet and acousmatic sound.